Actress Barbara Bel Geddes has died

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“I went out to California awfully young,” she remarked. “I remember Lillian Hellman and Elia Kazan telling me, ’Don’t go, learn your craft.’ But I loved films.” After four movies, Howard Hughes, who had bought control of RKO in 1948, dropped her contract because “she wasn’t sexy enough.”

Bel Geddes was devastated. But it turned out to be a good happenstance. She had time to return to the stage, and she scored a triumph in 1955 as Maggie the Cat in Tennessee Williams’ “Cat on a Hot Tin Roof.”

Yet her biggest Broadway success was “Mary, Mary,” a frothy marital comedy by Jean Kerr, which opened in 1961 and ran for more than 1,500 performances.

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In her film career, Bel Geddes was able to work with great filmmakers such as Kazan (“Panic in the Streets”) and Alfred Hitchcock (“Vertigo”). She also costarred with Danny Kaye in “The Five Pennies” and with Jeanne Moreau in “Five Branded Women.”

“By Love Possessed” in 1961 was her last film for 10 years. She made her final films in 1971 — “Summertree” and “The Todd Killings.”

Among Bel Geddes’ other major theater credits were roles in Terence Rattigan’s “The Sleeping Prince” (1956); Robert Anderson’s “Silent Night, Holy Night” (1959), which co-starred Henry Fonda; and Edward Albee’s “Everything in the Garden” (1967). Her last Broadway appearance was in 1973, when she starred in another Kerr comedy, “Finishing Touches.”

She was born in New York City on Oct, 31, 1922. Her father, born Norman Geddes, and mother, maiden name Helen Belle Sneider, coined Bel-Geddes as the title for a magazine they were planning. He took the name without a hyphen as his name. The couple divorced when Barbara was 3.

“I didn’t see much of my father,” she said, “but I absolutely adored him.” After her education in private schools, he found her a job at a summer theater and used his connections with stage people to help her get work.

Her first role was a walk-on with Ethel Barrymore in “The School for Scandal” at a summer theater. Her father helped land her Broadway debut in the 1941 “Out of the Frying Pan,” for which a critic called her “plump, pleasing and amusing.” She dropped 20 pounds and continued in a variety of roles until her breakthrough in “Deep Are the Roots.”

Early in her stage career Bel Geddes married Carl Schreuer, an electrical engineer, and they had a daughter, Susan. The marriage ended after seven years in 1951, and that year she married director Lewis. They had a daughter, Betsy.

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