Gloomy, moody shows brighten summer TV

“American Idol” is idle. “Dancing with the Stars” has shuffled off the schedule. The last bit of light and airy early-summer fluff has blown away from the television listings like dandelion seeds in the wind.

So is there anything worthwhile left to watch during the waning days of summer? Or is it time to turn off the TV and head outside to play in the backyard or lake?

Don’t trade that boob tube for an inner tube just yet. There’s a vein of brand spanking new programming running through the late-summer lineup. Some of it’s weird. Some of it’s gloomy and atmospheric. Most of it’s on cable. Despite its mostly downbeat tone, these summer shows are intriguing enough to fill the void until the networks burst back to life with frothy fare in the fall. Here’s a look at a few of the summer’s most darkly compelling programs.

The Inside (Wednesday, 9 p.m. ET, Fox)

You want dark? “The Inside” is murkier than a sludge-filled sewer. On paper, it’s “Law and Order: Serial Killers,” a run-of-the-mill cop show about the FBI’s Los Angeles-based Violent Crime Unit. But in the hands of quirkmeister Tim Minear (“Angel,” “Firefly,” “Wonderfalls”), “The Inside” is “Se7en”-lite, an unapologetically dark and moody look at sickos, psychos, and the people who track them down.

Front and center is Rebecca Locke (Bridget Fonda look-alike Rachel Nichols), a fresh-faced, doe-eyed new recruit with some firsthand experience dealing with violent offenders. Turns out she was kidnapped as a child by just the kind of guy she and her new colleagues are after. Just what kind of damage did her experience inflict? As the episodes unfold, viewers are getting plenty of clues that Locke’s flawless skin may be holding together a scarred, unstable core. Peter Coyote adds a menacing layer as the rogue unit’s enigmatic boss, who may be more interested in solving crimes than making sure his agents come out of their investigations physically — and psychologically — in one piece.

It took until the fourth episode — written by “Buffy” alum Jane Espenson — for the show to really gel into a solid mix of black humor and piano-string tension. But if you want to check out this moody hour, you’d better act fast. Online buzz — including Minear’s own Web site — is already sounding the show’s death knell.

The 4400 (Sunday, 9 p.m. ET, USA Network)

After a successful limited run last year, “The 4400” is back as an ongoing series. Although sometimes saddled with less-than-stellar acting, the show features weighty themes and an intriguing premise: 4400 people who went missing over the course of several decades have returned. They haven’t aged a day from when they disappeared, and they’re each exhibiting special abilities. Were they abducted by aliens? Is it a government conspiracy? Investigators Mulder and Scully — I mean, Baldwin and Skouris — aim to find out.

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At the end of last year’s limited run, the investigators discovered that the 4400s weren’t taken by aliens after all, but humans from thousands of years in the future. The public is reacting to the returnees with a healthy dose of paranoia, and viewers aren’t entirely sure if the 4400s are meant to save the world — or destroy it.

Like “The X-Files,” “The 4400” weaves in the overall mythology of the show with freak-of-the-week cases that spotlight a different character each episode. Baldwin and Skouris (Joel Gretsch and Jacqueline McKenzie) are tightly tied to several of the main abductees, including Baldwin’s nephew, Shawn. Thanks to his ability to heal people, Shawn’s found himself at the right hand of villain Jordan Collier (you know he’s a baddie because of the beard), and could play a major role in whether the 4400s are accepted by society, or hunted down like super-powered dogs. Skouris is deeply invested in the 4400s, too, thanks to her newly adopted — and creepy — daughter Maia, who disappeared in the 1940s and came back with the ability to see the future.

Speaking of creepy daughters, it seems the future of humanity might hinge on the infant child of two of the 4400s. Baby Isabelle’s overactive imagination can do just about anything, including forcing bad guys to kill each other. That’s one little girl who, when she wants a cookie, you give her a cookie.

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