‘Stars’ is plain old summer fun
Dancing reality show keeps footing at top of Nielsens
![]() | Rachel Hunter and Jonathan Roberts were eliminated last week on "Dancing with the Stars." |
Adam Larkey / © 2005 ABC, INC. |
After “Desperate Housewives” and “Lost,” few people would be surprised if ABC scored another hit series from out of left field. But nobody expected goofy reality competition “Dancing with the Stars” to become the biggest summer breakout since “Survivor.”
Ballroom dancing may be experiencing a revival, but serious dance competitions still draw smaller audiences than dog shows, and in the indelicate demographic language of television, they “skew old”. And ABC’s last attempt at a competition of C-and-D-list celebrities was the totally forgettable “I’m a Celebrity, Get Me Out of Here!”
But somehow, not only did “Dancing with the Stars” rocket to the top of the Nielsens from its first week and stay there, it’s scoring advertiser-pleasing numbers in the coveted 18-49 demographic.
Under the untranslatable British title “Strictly Come Dancing,” the original show showcased BBC personalities, including soap actors, newsreaders, garden show hosts and the bloke from “Bargain Hunt” (best described as an antiques game show). In recently completed versions in Australia and New Zealand, the “Stars” included political celebrities (including the founder of a minor populist party and “the first transsexual in the world to be elected to parliament”). But the ABC version uses a well-calculated mix of personalities (not really "stars"), each appealing to a different audience segment.
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Off to a slow start
The first moments of the first episode were not all that encouraging. Discovering that the ubiquitous Tom Bergeron was co-hosting brought three words to my mind: “Hollywood Square Dance,” but his devotion to groaner humor (“Let’s get ready to rumba!”) helps to set the show’s less-than-serious tone.
Before the first dance, a previously filmed segment showed the pro dancer paired with Old Kid Joey McIntyre admitting she’d had a teenage crush on him, raising the question “does every reality show have to include a couple hooking up?”
Fortunately, the only personal storyline the show has focused on since is O’Hurley’s weight loss during his dance-training regimen, and his now-regretted pledge that, if he reached his weight goal, he’d wear a red Speedo for the final dance. The first dance routine revealed a bit of musical pandering, as the Muzak-y orchestra and generic vocalists showed America that it is possible to cha-cha-cha to Beyoncé’s “Crazy in Love.”
But once all the obvious distractions were set aside, the inescapable center of the show — the dance routines themselves — are a delight to watch, both when the celebrities are better than expected and as bad as feared. The credit for that (and for much of the success of the whole show) must go to the professional dancers with whom the "Stars" are paired. The routines are well-designed to bring out the most from the non-pros’ skill levels and personalities, without ever making them look as if they’re being dragged around the dance floor by their hair. Without even recognizing the celebrities, you can always tell them apart from the pros, but you can still tell they’re working hard, and having a ball in the ballroom.
If there was one member of this troupe who wasn’t keeping to the spirit of the show, it was former Bachelorette Trista Sutter. She dropped comments about feeling uncomfortable dancing with anyone but her husband, and America wondered if the lady doth protest too much. Meanwhile, between the first and second shows, an embarrassing "vote for me" e-mail she'd apparently sent to out was leaked to the Defamer gossip blog. It was a relief to see Trista and her attitudes eliminated first, even before Holyfield, the muscle-bound fighter who clearly struggled to keep up with the ever-faster dances he was given to do.
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