Carrie is what ‘Idol’ is all about

While both Carrie and Bo earned their spot in the final twosome, and each judge gave some version of the “both of you are winners” speech, there can be only one “American Idol.” Carrie gets that honor, along with a million-dollar record deal, a new car and a Marquis jet card.  Bo, meanwhile, has to be content with just his own new car and a slightly longer wait to get his own recording contract.

Carrie’s not yet the performer that Bo is right now, but give her all the credit in the world. She was the one to beat all season long, and apart from a couple of glitches in the early weeks of the final round, sang on Tuesdays like she was performing before a crowd of dozens in Oklahoma instead of millions of people watching on television.

God bless the broken road
It’s easy to look back now and say that she had an easy road to get here; but she had that easy road because she didn’t beat herself. There’s no reason Lindsey Cardinale couldn’t have filled that same role, coming from small-town Louisiana, except for the only reason that really counts; she didn’t sing as well when the chips were down.

There’s no reason Scott Savol couldn’t have been an equally compelling choice — heck, the “daddy said I’d never amount to anything” angle could have been as great a storyline as “Idol” has had in a while. But he didn’t sing well enough and was far less likeable.

Mikalah Gordon was an early favorite, and then went from lighthearted and fun to serious and dull quicker than anyone could have imagined. Nadia Turner went from being a steak in a competition of hamburgers to being musical wallpaper. And so on.

Underwood did not falter, because she knows what she does well. She doesn’t make performing into brain surgery, she just sings country pop and tries to move around onstage as little as possible. It will be easy to fix the latter; maybe Paula Abdul can hook her up with some of her choreography moves.

As for her style of music, well, it’s pretty hot right now — certainly hotter than Bo's preferred Southern rock. She’s the country ingénue who beat pop music in its own contest, which has to buy her some respect in Nashville.

Country or pop? Carrie can choose
Simon predicted early on that she’d win the competition and sell more records than anyone in “Idol” history, and there’s no reason to doubt him.

She’s young, has a built-in fanbase and a popular sound, and should be around for a long time. The only question is whether she’ll do better on the country charts or the pop charts.

Bo Bice has the right to feel a bit peeved at the results, although he seems like he’s too laid-back to care. He clearly was a better performer than Carrie throughout the season. He’s more confident in his abilities — his a capella performance a couple of weeks ago is one Carrie would have had an incredibly tough time pulling off — and works the crowd like the veteran rocker that he is.

But Bo Bice really isn’t what the show is designed to showcase, and he doesn’t fit the stereotypical “Idol” role. He may have been plucked from small-town Alabama, but it’s not like he hadn’t had an opportunity to succeed in the record business. He’s been in bands that have had some success; it just ultimately never worked out.

He shouldn’t have to worry about his career any more. The members of Lynyrd Skynyrd may be Bice’s idols, but they would probably be grateful to have him tour with them. Clive Davis will be giving him a call right after Carrie signs on the dotted line, and he may have to wait in line. Five hundred million votes were cast this season — the most in the show’s history — and it’s not like Bice’s family back in Alabama had the tools to cast all of the millions of votes that came his way.

He has talent, a large following, and the ability to wear multiple pairs of sunglasses in a single TV episode. He’ll do fine.

“American Idol” isn’t about talent — well, at least it’s not only about talent. It’s about image and packaging as well. It’s not the zero-sum game that “The Apprentice” is — in a few months, any viewer will be able to go out and buy both of their albums if they choose — and the loser here doesn’t actually lose a whole lot. Bo may not have the Marquis jet card that Carrie does, but he doesn’t seem like a guy who’s sweating about having to fly Southwest Airlines instead.

Craig Berman is a writer in Washington, D.C.

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