‘Wedding Date’ takes
itself too seriously
Debra Messing hires Dermot Mulroney to take her to her sister’s wedding
![]() Universal Pictures Debra Messing and Dermot Mulroney get close in "The Wedding Date." |
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Dermot Mulroney Feb. 1: Actor Dermot Mulroney talks with "Today" host Katie Couric about his role in the new romantic comedy, "The Wedding Date." Today Show Entertainment |
It’s almost impossible for a movie with “wedding” in the title to fail. From “Muriel’s Wedding” to “The Wedding Singer” to “Four Weddings and a Funeral” to “My Best Friend’s Wedding,” the word all but promises entertainingly disastrous fun and outright folly.
Marriage ceremonies in the movies seem to lead directly to runaway brides, cuckolded grooms and catty remarks from the in-laws, and who can resist the complications? Still, a sense of deja-vu has definitely sunk in.
“The Wedding Date,” based on Elizabeth Young’s novel, “Asking For Trouble,” stars Dermot Mulroney, the groom from “My Best Friend’s Wedding,” and Debra Messing, who has done her share of wedding scenes on “Will & Grace.” There’s not much they can do to freshen the genre — or first-time screenwriter Dana Fox’s sleepy script, which specializes in creating the flimsiest of characters.
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As Nick Mercer, a popular male escort, he’s handsome and literate and fond of showing off his great abs to clients. Kat has taken $6,000 out of her 401K to hire him to accompany her to London, where he pretends to be her new boyfriend. She’s still carrying the torch for Jeffrey and hopes to stir things up at the wedding.
This is not a bad set-up for a romantic comedy. The movie acquires a little bit of steam every time a supporting character is introduced: Jack Davenport as Amy’s sweetly befuddled fiance, Sarah Parish as a brassy party girl, Holland Taylor as Kat’s bitchy mother, Peter Egan as a sympathetic stepfather, Jolyon James as a cheeky bartender.
Past dalliances have a way of complicating matters, and plenty of skeletons are dragged out of easy-access closets. Certainly the structure exists for a classic farce, but there’s more effort than artfulness on display.
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It’s a tribute to Messing and Mulroney that they almost pull it off. What’s missing is that essential scene in which it becomes obvious that these two very different people suddenly can’t resist each other. It’s not in the script, so the actors are left to improvise.
The director, Clare Kilner (who made 2002’s forgotten Mandy Moore vehicle, “How to Deal”), gradually loses track of the fact that “The Wedding Date” is a comedy, and the movie turns preachy and weepy. Even at 85 minutes, it seems about half an hour too long.
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