‘Observe and Report’ doesn’t compromise
Pitch-black tone never wavers in this smart, audacious comedy
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And then, when we’re lucky, we get a movie like “Observe and Report.”
The trailers make it look like a movie you’ve seen a thousand times before, most recently under the title “Paul Blart: Mall Cop” — bumbling mall cop outsmarts the police and solves a crime in order to win the love of his lady. Trust me when I say that almost none of the story plays out quite that way.
Ronnie Barnhardt (Seth Rogen) is a rent-a-cop — sorry, “Head of Mall Security” — at a run-of-the-mill shopping complex whose mundane existence is rocked when a flasher shows up in the parking lot, exposing himself to unsuspecting women, including make-up salesperson Brandi (Anna Faris), whom the nerdy and socially awkward Ronnie has long admired from afar.
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Detective Harrison (Ray Liotta) of the local police gets involved in the flasher investigation and then again later when someone robs the mall’s shoe store in the middle of the night. Ronnie first objects to this interference on his home turf, but he then decides to follow his dreams of becoming a real cop himself, a path that naturally leads to disaster, particularly since he gave all his klonazapam (prescribed to treat his bi-polar disorder) to a drunken Brandi.
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There is some redemption to be found in the film, but never at the expense of the characters’ verisimilitude. Writer-director Jody Hill (“The Foot Fist Way,” “Eastbound & Down”) refuses to give us one of those sweeping, life-changing catharsis moments that always happen in the movies but never in real life; these people pretty much go on doing what they’ve always done and what they’re always going to do.
The cast — which also includes veteran character actress Celia Weston giving a hilarious but completely unsentimental performance as Ronnie’s drunken mom — is uniformly excellent, but this is Rogen’s show all the way.
He’s established himself as a fine comic actor in the last few years with charming star turns in films like “Knocked Up” and “Zack and Miri Make a Porno,” but “Observe and Report” represents the biggest challenge Rogen has faced as a performer. He succeeds brilliantly at making us want to keep watching someone so deeply flawed and delusional; it’s a prickly, funcomfortable comic creation on par with what Ricky Gervais and Steve Carrell have done in the U.K. and U.S. versions of “The Office.”
Only this one’s got a gun.
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