‘Witch Mountain’: Chase chase, bang bang
Disney remake relies upon the tried, the true and the violent
![]() Walt Disney Pictures Astrophysicist Alex Friedman (Carla Gugino) lends a hand to two alien kids (Alexander Ludwig, AnnaSophia Robb) who are trying to get back to their space ship with help from taxi driver Jack Bruno (Dwayne Johnson). |
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Not that there’s necessarily anything wrong with that — “Bullitt,” a film cited by Dwayne “The Rock” Johnson’s cabbie character here as his favorite, opened up a whole new subgenre of action movies with its intense automotive action. But between the special effects and the general air of redundancy, the car stuff in “Race” gets boring fast, although youngsters at the very beginning of their moviegoing careers may dig it.
Johnson stars as Jack Bruno, a Las Vegas cabbie who’s trying to go legit and avoid the clutches of a local mobster for whom he used to work as a driver. He thinks nothing of it when two somewhat odd siblings, Sarah (AnnaSophia Robb) and Seth (Alexander Ludwig), climb into his cab with a wad of cash and a desire to drive out to the desert. When mysterious men in black Escalades give chase, Jack assumes they’re with the mob.
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The kids eventually convince Jack that they are extraterrestrials and that they are Earth’s only hope to avoid invasion, so he enlists the help of astrophysicist Alex Friedman (Carla Gugino) — lucky for them, there’s a UFO convention in town — to help.
I grew up on the old-school Disney live-action movies, and I certainly was open to liking this one. (Other fans of classic Disney will appreciate the cameos by Kim Richards and Iake Eissinmann from the original “Witch Mountain,” as well as Meredith Salenger from “The Journey of Natty Gann” playing a Vegas news reporter named, of course, Natalie Gann.)
Unfortunately, director Andy Fickman never builds up particularly effective suspense — the two alien children are so super-powered that we never really fear for their safety — and he relies too much on Johnson’s onscreen shtick as the grumpy minder of sassy kids. (Fickman also directed Johnson in “The Game Plan.”)
Parents who are concerned about this sort of thing might want to know that, particularly by Disney standards, “Race to Witch Mountain” is fairly violent. There’s no explicit gore, but there are a whole lot of fistfights, shootouts and extreme road rage, plus a creepy alien assassin hunting down Sarah and Seth.
Even with all that, however, the film singularly lacks excitement and suspense. If Disney insists on raiding its own vaults for remakes, maybe they’ll have better luck with “The Laser-Vision, Missile-Launching, Face-Shredding Cat from Outer Space.”
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