‘Slumdog Millionaire’ fulfills its Oscar destiny
Rags-to-riches tale wins best picture; Penn, Winslet take top acting honors
![]() Kevin Winter / Getty Images Producer Christian Colson, center, is surrounded by the cast and crew of “Slumdog Millionaire” as he accepts the Best Picture award during the 81st Annual Academy Awards on Sunday. |
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LOS ANGELES - Hollywood has met Bollywood at the Academy Awards, and the makers of Oscar champ “Slumdog Millionaire” hope it’s a sign of future melding between the U.S. dream factory with its counterparts in India and elsewhere in the world.
A tale of hope amid adversity and squalor in Mumbai, “Slumdog Millionaire” came away with eight Oscars, including best picture and director for Danny Boyle.
The low-budget production was a merger of India’s brisk Bollywood movie industry, which provided most of the cast and crew, and the global marketing reach of Hollywood, which turned the film into a commercial smash, said British director Boyle.
“We’re Brits, really, trapped in the middle, but it’s a lovely trapped thing,” Boyle said backstage. “You can see it’s going to happen more and more. There’s all sorts of people going to work there. The world’s shrinking a little bit.”
It was a theme Oscar voters embraced through the evening with other key awards honoring films fostering broader understanding and compassion.
Sean Penn won his second best-actor Oscar, this one for playing slain gay-rights pioneer Harvey Milk in “Milk,” while Kate Winslet took best actress for “The Reader,” in which she plays a former concentration camp guard coming to terms with the ignorance that let her heedlessly participate in Nazi atrocities.
Penn had harsh words for protesters outside the Oscars holding anti-gay signs.
“I’d tell them to turn in their hate card and find their better self,” Penn said. “I think that these are largely taught limitations and ignorances, this kind of thing. It’s really sad in a way, because it’s a demonstration of such cowardice, emotional cowardice, to be so afraid of extending the same rights to your fellow man as you’d want for yourself.”
As expected, Heath Ledger became just the second performer to win an Oscar posthumously, receiving the supporting-actor award for the menace and mayhem he wreaks as Batman villain the Joker in “The Dark Knight.” Penelope Cruz was the first Spanish actress to win an Oscar with her supporting prize as a volatile artist in a three-way romance in Woody Allen’s “Vicky Cristina Barcelona.”
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His sister, Kate Ledger, said backstage that her brother sensed he was creating something special with “The Dark Knight.”
“When he came home Christmas a year ago, he had been sending me shots and bits and pieces of the film,” Kate Ledger said. “He hadn’t seen it, but he knew. I said, ‘I have a feeling, this is it for you,’ and I said, ‘You’re going to get a nomination from the academy.’ He just looked at me and smiled. He knew.”
“I think he would have been quietly pleased, because I think he enjoyed the performance he did,” said Ledger’s mother, Sally Bell. “He was very proud of what he did. Heath was never one to be over the top with anything. He would be quietly pleased it was being recognized by his peers in the industry.”
“Slumdog Millionaire” started as an unlikely candidate for the sort of industry and audience recognition it has garnered, presenting a cast of unknowns and a Dickensian tale of an Indian orphan rising above his street-urchin roots.
Though set in a foreign land, the film tells a universal story of optimism that has been eagerly embraced by U.S. audiences.
“This country has changed, from the moment we started making the film to the moment it was released,” “Slumdog” producer Christian Colson said. “I think America is cool again, for the first time in my lifetime. ... I think this is a symptom of how it’s beginning to embrace a more-globalized view of the world.”
Boyle earned the directing prize with his first Oscar nomination in a career of hip movies that include the drug romp “Trainspotting” and the zombie horror tale “28 Days Later.”
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