American painter Andrew Wyeth dies at 91

updated 9:59 a.m. ET Jan. 16, 2009

PHILADELPHIA - Artist Andrew Wyeth, who portrayed the hidden melancholy of the people and landscapes of Pennsylvania’s Brandywine Valley and coastal Maine in works such as “Christina’s World,” died early Friday. He was 91.

Wyeth died in his sleep at his home in the Philadelphia suburb of Chadds Ford, according to Jim Duff, director of the Brandywine River Museum.

The son of famed painter and book illustrator N.C. Wyeth, Andrew Wyeth gained wealth, acclaim and tremendous popularity on his own. But he chafed under criticism from some experts who regarded him as a facile realist, not an artist but merely an illustrator.

“He was a man of extraordinary perception, and that perception was found in his thousands of images — many, many of them iconic,” Duff said Friday in an interview. “He highly valued the natural world, the historical objects of this world as they exist in the present and strong-willed people.”

A Wyeth retrospective at the Philadelphia Museum of Art in 2006 drew more than 175,000 visitors in 15½ weeks, the highest-ever attendance at the museum for a living artist. The Brandywine River Museum in Chadds Ford, a converted 19th-century grist mill, includes hundreds of works by three generations of Wyeths.

Wyeth even made “Peanuts,” in a November 1966 comic strip: After a fire in his dog house destroys his van Gogh, Snoopy replaces it with an Andrew Wyeth.

It was in Maine that Wyeth found the subject for “Christina’s World,” his best-known painting. And it was in Pennsylvania that he met Helga Testorf, a neighbor in his native Chadds Ford who became the subject of the intimate portraits that brought him millions of dollars and a wave of public attention in 1986.

The “Helga” paintings, many of them full-figure nudes, came with a whiff of scandal: Wyeth said he had not even told his wife, Betsy, about the more than 200 paintings and sketches until he had completed them in 1985.

Wyeth’s world was as limited in scale, and as rich in associations, as “Christina’s World,” which shows a disabled woman looking up a grassy rise toward her farm home, her face tantalizingly unseen.

AP file Artist Andrew Wyeth stands in front of his farm in Chadds Ford, Pa., where he did his work.

“Really, I think one’s art goes only as far and as deep as your love goes,” Wyeth said in a Life magazine interview in 1965.

“I don’t paint these hills around Chadds Ford because they’re better than the hills somewhere else. It’s that I was born here, lived here — things have a meaning for me.”

Paradoxically, he said, he loved Maine “in spite of its scenery. There’s a lot of cornball in that state you have to go through — boats at docks, old fishermen, and shacks with swayback roofs. I hate all that.”

Wyeth was a secretive man who spent hours tramping the countryside alone. He painted many portraits, working several times with favorite subjects, but said he disliked having someone else watching him paint.

Much of Wyeth’s work had a melancholy feel — aging people and brown, dead plants — but he chose to describe his work as “thoughtful.”

“I do an awful lot of thinking and dreaming about things in the past and the future — the timelessness of the rocks and the hills — all the people who have existed there,” he once said. “I prefer winter and fall, when you feel the bone structure in the landscape — the loneliness of it — the dead feeling of winter. Something waits beneath it; the whole story doesn’t show.

NBC VIDEO Exclusive: Andrew Wyeth's first TV interview April 13: NBC's Jamie Gangel talks with the famous, but reclusive American painter about a new retrospective of his work, his controversial career, and his infamous 'Helga' paintings. Today show

“I think anything like that — which is contemplative, silent, shows a person alone — people always feel is sad. Is it because we’ve lost the art of being alone?”

Wyeth remained active in recent years and President Bush presented him with a National Medal of the Arts in 2007. But his granddaughter, Victoria Wyeth, told The Associated Press in 2008 that he no longer gave interviews. “He says, ’Vic, everything I have to say is on the walls,”’ she said.

Wyeth was born July 12, 1917, in Chadds Ford, the youngest of N.C. Wyeth’s five children. One of his sisters, Henriette, who died in 1997, also became an artist of some note, and one of his two sons, Jamie, became a noted painter. His other son, Nicholas, became an art dealer.

N.C. Wyeth, the only art teacher Wyeth ever had, didn’t always agree with his son’s taste.

In a 1986 interview with the AP, Wyeth recalled one of the last paintings he showed to his father, who died in 1945. It was a picture of a young friend walking across a barren field.

“He said, ‘Andy, that has a nice feel, of a crisp fall morning in New England. You’ve got to do something to make this thing appeal. If you put a dog in it, or maybe have a gun in his hand,”’ Wyeth recalled.

“Invariably my father talked about my lack of color.”

Wyeth and his painting were dramatically affected when his father passed away, Duff said Friday.

“He was far less colorful after his father’s death,” he said. “He wanted you to understand that life was a difficult proposition.”

The low-key colors of Wyeth’s work stem partly from his frequent use of tempera, a technique he began using in 1942. Unlike the oil paint used by most artists today, tempera produces a matte effect.

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