‘Last Chance Harvey’ is all about Emma
Thompson’s performance is the only saving grace of this lukewarm romance
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Hoffman stars as Harvey, a composer of jingles for TV commercials, who’s at a professional and personal crossroads. His career seems to be sputtering to a halt — a producer actually says to him, in the movie’s very first scene, “There are no more chances, Harvey.” — and he’s completely estranged from his daughter, whose wedding in London prompts him to travel overseas.
Once Harvey arrives at the wedding, we see what an outsider he has become in his own family; the second husband (James Brolin) of his wife (Kathy Baker) is the de facto father of the bride, and Harvey is merely an awkward interloper. Just when he’s about to throw in the towel and go back to the States, he crosses paths with Kate (Emma Thompson), a lonely Brit whose clinging mother (Eileen Atkins) has made it impossible for her to find a man.
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Given that Hopkins has one of the world’s most photogenic cities as his backdrop, you might expect “Last Chance Harvey” to have an enchanting look about it, but the cinematography by John de Borman is flagrantly unremarkable. The Los Angeles of “Yes Man” seems a more romantic and inviting city than the Old Blighty we’re shown here.
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Hoffman, if anything, does too good a job at making Harvey into a pathetic loser at the beginning of the film — so much so that it’s hard to buy his redemption at Kate’s hands. You can’t help thinking that we’re being spared a fourth act in which Harvey screws up yet another relationship and leaves another woman in tears.
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But then, bad choices seem to be contagious — “Last Chance Harvey” certainly won’t rank among the better script selections made by this impressive cast.
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