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Bloggers provide raw view of Mumbai attacks


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Some bloggers posted firsthand accounts of the attacks on their own sites.

Sonia Faleiro "ate stir fry and drank campari" at a boutique hotel near the landmark Taj Mahal hotel just before the violence began.

"We stepped out of the hotel and bullets rang in the air, people screamed, a tidal wave raced down the street and the security guard said 'Inside! Madam, Inside NOW!'" she wrote. "We thought then it was a gang war, and it would end soon."

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Arun Shanbhag, another south Mumbai blogger, wrote of sleeping through the blasts, even though he lives just one block from the Taj. He later posted dramatic photos of the 105-year-old hotel in flames.

"When I saw the dome of the Taj burning, my heart bleeds! It is all in knots! I am overwhelmed! Finally tears, in torrents!...Will the Taj be there when I wake up?" he wrote.

During the attacks Twitter became the village square for the online world, and the posts served as all things at once: public service announcements about where to donate blood; news ticker updates of death tolls; and even, sometimes, comic relief.

"Random 3 a.m. question while we wait for news to filter in: Why doesn't our PM move his facial muscles when he communicates?" a user named orange jammies posted hours after Prime Minister Manmohan Singh's address to the nation.

For many Twitter users, traditional media like radio and TV were too slow — and forget about waiting for tomorrow's newspaper.

"Some channels just keep repeating the same stuff," orange jammies said. "I felt more like I was telling friends what was happening."

At times, Ranganathan found himself facing ethical questions familiar to larger news organizations. He snapped a series of photos of corpses, but felt uneasy about posting the images.

Struggling with the decision, he did what he had done all week: He turned to his online peers. He posted a poll on his blog about whether to publish the photos — the response was 50-50. He decided not to.

Copyright 2008 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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