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Smith, Rourke, Eastwood are the drama kings

An IRS agent changes lives, a wrestler discovers his limits and more

Image: "Seven Pounds"
In “Seven Pounds,” Will Smith stars as an IRS agent who feels guilty and depressed for the mistakes he’s made in his life, so he decides to change the lives of seven people.
Columbia Pictures
Oscar baitPeriod dramaContemporary dramaComedyAdventureKids' films
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Image: Leonardo DiCaprio, Kate Winslet
  Holiday movie guide: Oscar bait
Leonardo DiCaprio and Kate Winslet reunite, Brad Pitt ages backward, and Benicio Del Toro brings Che Guevara to life.

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By Paige Newman
Movies editor
msnbc.com
updated 8:17 p.m. ET Nov. 21, 2008

Check your serotonin levels, this winter’s dramas could bring on seasonal affective disorder. But that doesn’t mean they’re not worth seeing. An aging wrestler bumps up against his own limitations; an older racist man bonds with his minority neighbors; an IRS agent, who feels bad about his life, decides to change the lives of others; a newspaper reporter reveals a CIA agent’s identity; a woman discovers that everything is that much harder when you’re poor; and two petty criminals decide it’s time for one last big score — and we all know that never goes well.

“Seven Pounds”
Video
  'Seven Pounds'
Will Smith stars as an IRS agent who decides to change the life of seven strangers.
Starring:
Will Smith, Rosario Dawson, Michael Ealy, Barry Pepper, Woody Harrelson
Director: Gabriele Muccino
Story: Smith stars as an IRS agent who feels guilty and depressed for the mistakes he’s made in his life. He decides to change the lives of seven people, including a blind man (Harrelson) and a woman with a heart problem (Dawson) he ends up falling for.
Worth seeing? Looks promising. Muccino and Smith last worked together on “Pursuit of Happyness,” so expect this one to be a tearjerker. In this economy, it’s hard to believe an IRS agent could be a sympathetic character, but this film looks to be potentially a lot more uplifting than much of this winter’s fare. It could be an Oscar dark horse (particularly in the best actor category) if it strikes a chord with audiences. Smith told Oprah Winfrey that part of the reason he chose the film is because “I want my work to mean something.” Dawson told Winfrey that she began reading the script and “I'm just crying immediately.”
Web site: http://www.sevenpounds.com/
Release date: Dec. 19

“Gran Torino”
Starring:
Clint Eastwood, Cory Hardrict, Geraldine Hughes, Dreama Walker, Brian Haley
Director: Clint Eastwood
Story: Eastwood plays Walt Kowalski, a prejudiced Korean War veteran who bonds with an immigrant Asian neighbor over his classic car, a 1972 Gran Torino.
Worth seeing? Yes. A mysterious Eastwood movie in late December means one thing: Oscar bait. Eastwood told USA Today, “I play a real racist. … It's a great time in life (to do that) because, you know, what can they do to you once you're past 70? There's nothing they can do. But (the film) also has redemption.” The Envelope’s Pete Hammond reported, “I received a ‘this is the honest-to-God truth — I swear on a stack of bibles’ response from an insider who saw a rough cut of Eastwood's December entry ‘Gran Torino’ earlier this week saying that ‘the old guy could actually win it all for this one. He's THAT good in this.’”
Web site: NA
Release date: Dec. 17

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“The Wrestler”
Video
  ‘The Wrestler’
After a retired wrestler (Mickey Rourke) has a close brush with mortality, he begins to evaluate his life while considering the comeback that could very well kill him.
Starring:
Mickey Rourke, Marisa Tomei, Evan Rachel Wood
Director: Darren Aronofsky
Story: Set in the late 1980s, Rourke stars as Randy “The Ram” Robinson, a has-been wrestler who now just wrestles to entertain fans. But after he has a heart attack in the ring, he’s forced into retirement. He tries to reconnect with his estranged daughter (Wood) and forms a relationship with an aging stripper (Tomei), but eventually gets drawn back into wrestling.
Worth seeing? Yes. In an interview that ran on YouTube, director Aronofsky (“Requiem For a Dream”) said, “When Mickey came on, he and I went over the script word for word. Basically every line in the movie he rewrote for his own mouth.” Film critic Emanuel Levy wrote, “Mark your Oscar ballot: In a major comeback, Mickey Rourke gives the year's most dramatically impressive, not to mention iconic and self-reflexive performance of the year.” The Academy loves a comeback, and it really doesn’t get sweeter than Rourke’s.
Web site: NA
Release date: Dec. 19

“Nothing But the Truth”
Image: "Nothing But the Truth"
Yari Film Group

Starring:
Kate Beckinsale, Matt Dillon, Alan Alda, Vera Farmiga, Harry Lennix, David Schwimmer, Angela Bassett, Noah Wyle
Director: Rod Lurie
Story: Based loosely on the Judith Miller/Valerie Plame controversy, this film tells the story of a journalist (Beckinsale) who reveals the identity of a CIA agent (Farmiga) in a front-page story. Dillon plays the prosecuting attorney who wants Beckinsale to reveal her source, while Alda plays her defense attorney.
Worth seeing? Yes. Hollywood-Elsewhere.com’s Jeffrey Wells called this Lurie’s (“The Contender,” “The Last Castle”) best film and wrote, “Each and every actor nails what they've been hired to do like the pros they are, and I don't just mean the leads — Kate Beckinsale, Vera Farmiga, Alan Alda and Matt Dillon, all of whom hit triples and homers.” Look for Alda to grab a best supporting actor Oscar nod.
Web site: NA
Release date: Dec. 19

“Wendy and Lucy”
Starring:
Michelle Williams, Will Patton, Larry Fessenden, Will Oldham, Walter Dalton, John Robinson
Director: Kelly Reichardt
Story: Williams stars as Wendy, a woman, who with her dog Lucy, heads to Alaska for a summer job. But when her car breaks down, she faces a series of increasingly difficult hardships and doesn’t have the money to dig herself out of them.
Worth seeing? Yes. Reichardt’s last film, “Old Joy,” is one of those indie gems and “Wendy and Lucy” looks to be the same. This is a crowded year for the Oscar best actress category, but Williams could definitely sneak in there. Slant.com’s Nick Schager wrote Williams’ “performance makes painfully real Reichardt's depiction of everyday problems magnified by poverty into mini-calamities.”
Web site: NA
Release date: Dec. 10

“What Doesn’t Kill You”
Image: "What Doesn't Kill You"
Yari Film Group

Starring:
Mark Ruffalo, Ethan Hawke, Brian Goodman, Donnie Wahlberg, Amanda Peet
Director: Brian Goodman
Story: Paulie (Hawke) and Brian (Ruffalo) survive the tough streets of South Boston by resorting to petty crime. But after they start working for a local crime boss (Goodman), they attract the attention of a detective (Wahlberg) and Brian’s drug use starts to affect his marriage. Paulie has a plan, though, one last big job to set them free.
Worth seeing? Not likely. After seeing it at the Toronto Film Festival, Alex Billington of First Showing.com wrote that director Goodman “pulls together quite a few great elements in the film, from the acting to the score, but it's in dire need of a script rewrite and editing overhaul before it can be called a true gem.” And the folks at Playlist.com wrote, “As much as we were moved by parts of the film, we're not sure we were deeply affected by the whole.” Sounds like a film to catch on cable.
Web site: NA
Release date: Dec. 12

  More contemporary dramas
“Tokyo!” (Dec. 5)

Three directors, Michel Gondry (“Eternal Sunshine of the Spotless Mind”), Leos Carax (“The Lovers on the Bridge”) and Bong Joon-ho (“The Host”), each take a fictional look at Japan’s capital city.

Note: Release dates are subject to change.

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