An hour of darkness is a real eye-opener

By Errin Haines

updated 2:47 p.m. ET Sept. 3, 2008

ATLANTA - I don't like the dark, and the closest I've come to being blind is taking off my glasses. But what I'm about to experience goes far beyond my astigmatism, and I expect it will widen my myopic world view.

I'm standing at the threshold of "Dialog in the Dark," a new exhibit making its American debut at the Atlantic Station Exhibition Center in midtown Atlanta. The idea and concept was developed in 1988 by German Andreas Heinecke, who worked for the Foundation for the Blind in Frankfurt and created "Dialog" to increase tolerance, respect and understanding among people with sight and those without.

To date, the show has toured more than 20 countries and has drawn more than 5 million visitors worldwide.

At the end, I'm supposed to be able to "see without sight" and "gain a greater appreciation of the power of communication and the abilities of others," according to the organizers.

Intrigued by the concept, I'm still skeptical. Could an hour of blindness open my eyes?

Four of us begin the exhibit holding our canes and having some reservations about what to expect. We enter a room lined with plastic cubes that serve as both seating and the only light source. The space is meant to immerse us slowly into total darkness.

A voice overhead speaks calmly over soothing music, reminding us of our other four senses, which we will need for the next hour as we navigate the show. As the voice attempts to comfort us, the cubes grow dimmer and dimmer.

Within moments, the room is pitch black and completely transformed. It's much darker than I'm used to — much scarier than being alone at night in an unfamiliar room or on a dark, empty road. I am immediately aware of how dependent I am on my eyes; though no one has left the room, I feel alone and nervous. I grip my cane and wait for instructions.

We are directed to black boxes to the right of our chairs. Inside are several objects we are to identify using our other senses. It's a relaxing exercise. Right away, I can feel the soft petals of a wildflower, I can smell coffee beans, I can touch a group of fabric swatches. Maybe my eyes don't need to be the crutch I thought they were.

Our guide, Liram Frank, now enters the room and introduces himself. It's hard to tell what his accent is. Eastern Europe? The Middle East? But his voice is friendly, warm, and gives me something on which to focus. It ushers us through the first door and into our journey.

My new best friend
The ground is soft, uneven. It's unsettling. Is it grass? Moss? I can't be sure, but the guide was right: My slender, metal cane has quickly become my best friend. Its thin strap hangs loosely from my wrist, an extension of my body. It is how I first experience my new environment.

I can hear the others around me, but no one seems close enough to touch — that is, until I bump into one of them. Soon, we are no longer Arneisha, Jessica, Allison and Errin, our names are replaced with "Excuse Me," "I'm So Sorry," "Is That Your Foot?" and "Where Are You?"

Frank asks us, "What do you hear?"

Birds? Yes.

Crickets? Yes.

Butterflies? Yes. Wait — butterflies?

We laugh nervously at the trick question. And then, our first test: crossing a bridge. Directed only by the sound of Liram's voice and our canes, we feel our way across the wooden planks. As I put my hand on a rail, I can feel the water I thought I had heard earlier. A waterfall! I smile, recognizing something familiar.

I'm seeing a lot with my hands and feet now. A trash can. A bench. The room is a park! Another smile. Just as I get my bearings, we're off to the next room.

I am feeling my way along the left wall when I think I touch a blanket, then a towel and then an oven mitt. A kitchen? I feel cooking utensils, then I hear a voice overhead: "Price check on aisle three."

A grocery store. I didn't see that one coming.

Suddenly, oranges!

Each sensory victory is making me more confident. I can feel my eyes stop trying to focus.

I get so caught up in feeling my way through the aisles that I don't notice that it's been a while since I bumped into anyone. Someone calls my name, "Where Are You?"

"I'm here," I respond, and then realize that "here" probably doesn't mean much.

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