‘Doomsday’ is ridiculous and entertaining
Sci-fi thriller rips off dozens of movies, but you’ll be overcome with giggles
![]() | Survivor leader Sol (Craig Conway) interrogates DDS Major Eden Sinclair (Rhona Mitra) in the silly but hard-to-resist "Doomsday." |
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My tipping point happened during the big car chase, in which our hero Eden Sinclair (Rhona Mitra, a black-tanktopped British tough chick of the Kate Beckinsale-Lena Headey school) fends off a mob of mohawked “Mad Max” wannabes with a snazzy Bentley while Frankie Goes to Hollywood’s “Two Tribes” blares on the soundtrack. (Bentleys haven’t been this sexy on-screen since “Beyond the Valley of the Dolls”; whatever the auto maker paid for product placement was worth it.)
Trying to resist the blood-soaked, over-the-top charms of “Doomsday” is like trying not to laugh at the Marx Bros.; unless you’re Margaret Dumont, you’ll eventually succumb.
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While most people thought that everyone in Scotland had died, satellite photos show that there are still survivors there, reduced to barbarism and even cannibalism. The government (whose prime minister is, I kid you not, “Hatcher”) sends Eden in with a squad of soldiers to find the doctor who had been working on the cure to the virus. In true “Escape from New York” style, they’ve got 48 hours to go in and bring him out.
That proves to be tricky, what with the marauding gangs of punks who look like refugees from every Italian low-budget post-apocalypse movie of the 1980s. Those Glasgow rude boys aren’t just out to kill the interlopers; they’re also at war with another faction of survivors up country, who are living in an ancient castle and behaving like it’s medieval times. (Or maybe Medieval Times, the chain restaurant. While the castle is filled with peasants and knights, it also still bears the “Gift Shop” and “Emergency Exit” signs from when it was a national park.)
Marshall drew acclaim for his restraint and suspense in “The Descent,” and he’s decided to chuck both out the window for slam-bang action, baffling fight sequences edited in a blender, and jeroboams of fake blood. This is the kind of movie where every beheading, gunshot wound and maiming takes place front and center so we can all get a good look. He even throws in a rabbit that gets blown up and a calf that gets run over lest his (or our) bloodlust not be slaked.
Mitra’s character would be a more memorable fierce chick if “Doomsday” weren’t so silly, and supporting actors Bob Hoskins and Adrian Lester do their best to pretend they’re in a real movie.
I can’t support or defend “Doomsday” in the slightest. But it’s also the most fun I’ve had at the movies in weeks. If you’re in the mood for sheer sensation without the slightest bit of intelligence, this is the flick for you.
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