Writer Norman Mailer dead at 84

Symbol of the '60s
Mailer's personal life was as turbulent as the times. In 1960, at a party at his Brooklyn Heights home, Mailer stabbed his second wife, Adele Morales, with a knife. She declined to press charges, and it was not until 1997 that she revealed, in her own book, how close she had come to dying.

In 1969, Mailer ran for mayor on a "left conservative" platform. He said New York City should become the 51st state, and urged a referendum for "black ghetto dwellers" on whether they should set up their own government.

Mailer had numerous minor run-ins with the law, usually for being drunk or disorderly, but was also jailed briefly during the Pentagon protests. While directing the film "Maidstone" in 1968, the self-described "old club fighter" punched actor Lane Smith, breaking his jaw, and bit actor Rip Torn's ear in another scuffle.

Years later, he championed the work of a convict-writer named Jack Abbott — and was subjected to ridicule and criticism when Abbott, released to a halfway house, promptly stabbed a man to death.

Mailer had views on almost everything.

The '70s: "the decade in which image became preeminent because nothing deeper was going on."

Poetry: A "natural activity ... a poem comes to one," whereas prose required making "an appointment with one's mind to write a few thousand words."

Journalism: irresponsible. "You can't be too certain about what happened."

Technology: "insidious, debilitating and depressing," and nobody in politics had an answer to "its impact on our spiritual well-being."

"He had such a compendious vision of what it meant to be alive. He had serious opinions on everything there was to have an opinion on, and everything he had was so original," said friend William Kennedy, author of "Ironweed."

No friend of technology
Mailer's suspicion of technology was so deep that while most writers used typewriters or computers, he wrote with a pen, some 1,500 words a day, in what Newsweek's Sokolov called "an illegible and curving hand." When a stranger asked him on a Brooklyn street if he wrote on a computer, he replied, "No, I never learned that," then added, in a mischievous aside, "but my girl does."

In a 1971 magazine piece about the new women's liberation movement, Mailer equated the dehumanizing effect of technology with what he said was feminists' need to abolish the mystery, romance and "blind, goat-kicking lust" from sex.

Time magazine said the broadside should "earn him a permanent niche in their pantheon of male chauvinist pigs." Mailer later told an interviewer that his being called sexist was "the greatest injustice in American life."

Two years later, he wrote "Marilyn" and was accused of plagiarism by other Marilyn Monroe biographers. One, Maurice Zolotow, called it "one of the literary heists of the century." Mailer shot back, "nobody calls me a plagiarist and gets away with it," adding that if he was going to steal, it would be from Shakespeare or Melville.

"He could do anything he wanted to do — the movie business, writing, theater, politics," author Gay Talese said Saturday. "He never thought the boundaries were restricted. He'd go anywhere and try anything. He was a courageous person, a great person, fully confident, with a great sense of optimism."

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