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Finding the black humor
Likewise, “No Country for Old Men” twirls the audience through a whirlwind of bloodshed leavened with wicked laughs.
Strangely, it’s Bardem, the film’s most menacing figure, around whom much of the humor revolves as he brushes people and obstacles aside with stoic tenacity and a cache of outlandish weapons.
Bardem said he necessarily had to play such a ruthless character straight. The comedy came from the Coens.
“They made it happen by the way they put it together,” Bardem said. “Thank God, I didn’t know it, because then I didn’t pretend to be funny. I had my job to do, which was to be dead serious and frightening. So when they put it together, they put it together with a reaction from another person listening to me. That makes it funny.
“That’s why the Coens are the Coens. They know how to put it together to really release the tension and make you laugh out of fear, out of tension.”
“They understand that even when the bleakest things happen in life, there’s humor there,” said Kelly Macdonald, who plays the wife of Brolin’s character in “No Country for Old Men.” “That’s one of the biggest human traits. It’s a coping mechanism or something.”
The Coens deflect attempts to analyze their work or the combination of light and dark that goes into it.
“It’s not like they’re separate ingredients,” Ethan Coen said. “There are some situations that you might react to by laughing or being horrified. Either way is fine with us, but again, they’re not like two different ingredients that you measure and pour in. It’s kind of the fact that you can react either way that’s appealing.”
“We’re sometimes surprised when people laugh at certain places, although we’re never bothered by it,” Joel Coen said. “Every now and then, you get a laugh in really unexpected places.”
‘It’s horrifying at the same time it’s funny’
His brother recalled one such scene that surprised the Coens in advance screenings since the film debuted at last spring’s Cannes festival:
“Javier is in this motel room, and he unzips a bag and takes out a gun with this big honkin’ silence on the end of it, and people laugh,” Ethan Coen said. “You go, ‘OK, I didn’t really expect that, but great.”’
“In that situation, it is quite funny. It’s horrifying at the same time it’s funny,” Joel Coen said.
The Coens’ next film leans more toward funny than horrifying, though Ethan Coen guaranteed that both qualities will be well-represented.
“Burn After Reading” is a comic adventure reuniting them with “O Brother” star George Clooney, who co-stars with McDormand, Brad Pitt, John Malkovich and Richard Jenkins.
True to that Coen feeling, the brothers describe it as a yarn set in motion by the collision of two diverse cultures: the CIA and the physical-fitness world.
That juxtaposition reminded them of the time they met former Texas Gov. Ann Richards and described the plot of the film they were then working on, “The Man Who Wasn’t There,” with Billy Bob Thornton.
“We said, ‘It’s about a barber who wants to be a dry cleaner,”’ Joel Coen said. “She looked at Ethan as well as me and said, ‘I’m trying to get excited about that.”’
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