‘No Country’ is for Coen brothers fans only
Film may not win them any new fans, but it will satisfy the old ones
![]() Miramax Films Javier Bardem plays the ultra-brutal killer Anton Chirgurh in "No Country For Old Men." |
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For more than 20 years, Joel and Ethan Coen have been making maddeningly clever films that, depending on your opinion, are either brilliant pieces of cinema or represent the hermetically sealed worldview of two people who seem to have experienced life only through other movies.
Going into a Coen brothers movie, you know you’re going to get a spin on venerable film genres, hayseed characters with a love of florid speech (generally with some brand of hick accent), and a fairly convoluted plot that may or may not come to a satisfactory climax.
And if you thought that having a Cormac McCarthy novel for source material would change that, forget it.
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The closest thing the movie gives us to a three-dimensional human being is Tommy Lee Jones’ Sheriff Bell, a grizzled lawman who thought he’d seen the worst humanity had to offer. That was before killer Anton Chigurh (Javier Bardem, sporting a demonic “Cabinet of Dr. Caligari” pageboy hairdo) hit town. Chigurh’s arrival has to do with a drug deal gone bad (as they tend to in movies), resulting in hunter Llewelyn Moss (Josh Brolin) finding a huge cache of money.
And that’s pretty much all you need to know — money, murder, leaving town, hiding, chasing, killing, blah blah blah. Do the Coens direct this sort of thing with a maximum of artistry? Absolutely. Are Bardem and Brolin (and the rest of the cast) fun to watch? Most certainly. Could you take away their character names and just call them Crazed Assassin and Guy Who Finds Money, for all the depth the movie gives them? Well, yes.
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There’s a riveting sequence involving Brolin, the loot and two motel rooms that couldn’t be more perfectly edited. And despite his character having no shading, backstory or depth — or heck, maybe because of that — Bardem’s Chigurh makes for one of the screen’s eeriest psychopaths since Hannibal Lecter.
“No Country for Old Men” is the kind of film that will only cement the opinion you already have about its uniquely eccentric makers. Approach the ticket booth accordingly.
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