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‘Housewives’ needs to take a trip to the morgue

The death of a major character could revive the drama on Wisteria Lane

Image: "Desperate Housewives"
The death of a major “Desperate Housewives” character could revive the drama on Wisteria Lane.
Ron Tom / ABC
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COMMENTARY
By Mary Beth Ellis
msnbc.com contributor
updated 10:55 p.m. ET Nov. 4, 2007

Our introduction to “Desperate Housewives” consisted of a sad housewife holding a gun to her head, since then the body count has only continued to climb. Grandpas, boyfriends, “Frasier’s” one-episode receptionist — there’s no one this show won’t kill. Except, perhaps, the main characters.

In season one, when the series was less sudsy and more dark comedy, and fans applauded the writers’ risk-taking with the main characters — as Lynette, in a Ritalin-induced hallucination, thoughtfully accepted a gun from a dead, beaming Mary Alice, viewers were jolted. This was no “Cosby Show.”

Season four has percolated to the fall sweeps benchmark: Gabby and Carlos blunder through an affair while still formally attached to Victor and Edie; Lynette performs Wisteria Lane’s most dramatic wig removal ever; Bree’s engaged in a baby charade; and Susan refuses to allow a fetus to get in the way of her usual social ineptitude. While there are no indicators of a major character death, a theoretical trip to the morgue would make for some much-needed Wisteria Lane drama.

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Lynette
Lynette (Felicity Huffman)
They wouldn’t, would they?

Lynette is closest to life-and-death issues at the moment, what with contracting a potentially terminal plot point and all. Although a divisive character — thanks to her abrasive personality and interesting parenting decisions — Lynette’s had her fair share of blood and guts.

With a multitude of family issues surrounding Lynette, it’s difficult to believe she’d be at the receiving end of, say, a bullet shot by a jealous rampager who has taken over a grocery store. But nothing ups the drama ante like a widower and five kids. Lynette’s death might fall on the initially melodramatic side, but it would show impressive moxie on the part of the writers, and, well handled, might make a strong Desperate Husband out of Tom.

Susan
Teri Hatcher
They wouldn’t, would they? Please?

The average IQ of Wisteria Lane would certainly shoot up several hundred points if Susan died. Susan, however, is now with Mike’s child. The producers have been exasperating viewers for years with season-long fights that then tended to be resolved in the space of a commercial break. But now that the two seem angstlessly married, little dramatic action is apt to come Susan’s way — unless she’s falling over something or asking her daughter to listen to detailed descriptions of her mother’s gynecological issues. Then Susan’s your girl.

Offing her might have made dramatic sense in the first or second seasons, when she was Super Sleuthy Susan, but her current back-burner role would simply result in shock for the sake of shock.

Bree
MARCIA CROSS
In a way, Bree’s character was killed off in season two when the ultra-uptight character we’d come to love with all her compulsive quirks, the woman who lived life according to what the neighbors would think, began stepping out with the town pharmacist, who filled his prescription bottles right to the top with icky.

By shoving a pillow under her own Lord & Taylor’ed body to hide her teenage daughter’s pregnancy (Bree shipped her off to a convent! Isn’t that so wonderfully Eisenhower Administration of her?) Bree is being reborn this season, right along with her grandchild. Losing her now just when she’s finding herself again amps the tragic ... although the utter inability of anyone else to cater the funeral up to her standards would please her immensely.

Gabrielle
EVA LONGORIA
Dramatically, Gabrielle is in even more mortal danger than Lynette:  She’s cycling through the same plotline she had four years ago. We’ve even had Formerly Underage Gardner, John, back in the picture.

As always, Gabrielle is less than smart when it comes to choosing her bedding partners, having moved from members of the high-school football team to the other end of the danger spectrum, Grandpa Mayor. Victor can support her couture habit, but he’s also a guy who either knows people, or knows people who know people — the kind of people who beat up cops for daring to grab the bratty wrist of the First Lady of Fairview as she traipses through town tearing up parking tickets. Gabrielle: Easy to buy for, easy to kill.


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