‘King and I’ star Deborah Kerr dies at 86

updated 11:48 a.m. ET Oct. 18, 2007

LONDON - Deborah Kerr, who shared one of Hollywood’s most famous kisses while portraying an Army officer’s unhappy wife in “From Here to Eternity” and danced with the Siamese monarch in “The King and I,” has died. She was 86.

Kerr, who suffered from Parkinson’s disease, died Tuesday in Suffolk in eastern England, her agent, Anne Hutton, said Thursday.

For many she will be remembered best for her kiss with Burt Lancaster as waves crashed over them on a Hawaiian beach in the wartime drama “From Here to Eternity.”

Kerr’s roles as forceful, sometimes frustrated women pushed the limits of Hollywood’s treatment of sex on the screen during the censor-bound 1950s.

The Academy of Motion Picture Arts and Sciences nominated Kerr six times for best actress, but never gave her an Academy Award until it presented an honorary Oscar in 1994 for her distinguished career as an “artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance.”

She had the reputation of a “no problem” actress.

“I have never had a fight with any director, good or bad,” she said toward the end of her career. “There is a way around everything if you are smart enough.”

Kerr (pronounced CARR) was the only daughter of a civil engineer and architect who died when she was 14. Born in Helensburgh, Scotland, she moved with her parents to England when she was 5, and she started to study dance in the Bristol school of her aunt. Kerr won a scholarship to continue studying ballet in London, and at 17 she made her stage debut as a member of the corps de ballet in “Prometheus.”

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She soon switched to drama, however, and began playing small parts in repertory theater in London until it was shut down by the 1939 outbreak of World War II.

After reading children’s stories on British Broadcasting Corp. radio, she was given the part of a hatcheck girl with two lines in the film “Contraband,” but her speaking role ended on the cutting-room floor.

After more repertory acting she had another crack at films, reprising her stage role of Jenny, a Salvation Army worker, in a 1940 adaptation of George Bernard Shaw’s “Major Barbara,” receiving favorable reviews both in Britain and the United States.

She continued making films in Britain during the war, including one — “Colonel Blimp” — in which she played three different women over a span of decades.

“It is astonishing how she manages to make the three parts distinctly separate as characterizations,” said New Movies magazine at the time.

Kerr was well-reviewed as an Irish spy in “The Adventuress” and as the tragic girlfriend of a Welsh miner in “Love on the Dole.”

She was invited to Hollywood in 1946 to play in “The Hucksters” opposite Clark Gable. She went on to work with virtually all the other top American actors and with many top directors, including John Huston, Otto Preminger and Elia Kazan.

Tired of being typecast in ladylike roles, she rebelled to win a release from her MGM contract and get the role of Karen Holmes in “From Here to Eternity.”

Playing the Army officer’s alcoholic, sex-starved wife in a fling with Lancaster’s Sgt. Warden opened up new possibilities for Kerr.

She played virtually every part imaginable from murderer to princess to a Roman Christian slave to a nun.

In “The King and I,” with her singing voice dubbed by Marni Nixon, she was Anna Leonowens, who takes her son to Siam so that she can teach the children of the king, played by Yul Brynner.

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