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  December movies
James Cameron’s spectacle “Avatar” hits theaters, along with George Clooney, who is “Up in the Air,” and Robert Downey Jr. as “Sherlock Holmes.”

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Helping misfits win
So what’s replaced baseball biopics? This formula, mostly: A team of misfits keeps losing; then they find a way to win; then they play for the championship at the end of the season.

This describes everything from “The Bad News Bears” to “Major League” to “Angels in the Outfield,” with films differentiated by: a) how teams start winning, and b) that final game.

How do they start winning? For some, it’s the myth of the one guy. Team sucks, this one guy wanders in the locker room, everything changes. Often he’s associated with magic. Roy Hobbs (Robert Redford) has a kind of mystical lightning about him in “The Natural,” while Joe Hardy (Tab Hunter) is the work of the devil in “Damn Yankees!” An annoying little kid with a 100-mph fastball (Thomas Ian Nicholas) turns the hapless Cubs into winners in “Rookie of the Year.” You could even say the turnaround for the Angels in “Angels in the Outfield” is the work of one guy. The big guy. Which seems to me a violation of the 25-man rule.

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Other teams begin to win through the myth of teamwork. This rationale is big in movies where the lead character is a selfish S.O.B.: Jack Elliot (Tom Selleck) in “Mr. Baseball” and Stan Ross (Bernie Mac) in “Mr. 3000.” Once the S.O.B. subsumes his gargantuan ego to the group, they start winning. Hollywood, with its above-the-line talent, relates.

Finally there’s the myth of knowledge. The players don’t know what they’re doing wrong, so it’s up to someone, generally an outsider, generally a kid, to set them straight. In 1953’s “The Kid from Left Field,” it’s the batboy, Christie (Billy Chapin), who’s getting tips from his ex-big league dad. By 1994 and “Little Big League,” the studios knew how to pander to kids. Thus Billy Heywood (Luke Edwards), who inherits the Minnesota Twins from his grandfather, is fatherless and turns the Twins around on his own. Daddies? We don’t need no stinkin’ daddies.

The best baseball films tend to combine rationales. The Bears in “The Bad News Bears” need Coach Buttermaker to care enough to impart his knowledge, they need to work together, and they need that one guy, Kelly Leak, to get them over the hump. They get it all. The beauty is it’s still not enough. That’s why the film resonates after 30 years. Read your Roger Kahn: “You may glory in a team triumphant, but you fall in love with a team in defeat.”

The big game vs. sex with Susan Sarandon
Which brings us to the final game of the season. How do you end it with a bang as big as Bobby Thomson’s and still be believable? “The Natural” got away with it by making their home run bigger than any home run could ever be. They made it mythic.

Other films play smallball. Jake Taylor (Tom Berenger) wins the big game in “Major League” by majestically calling his shot, a la Babe Ruth, and then bunting in the winning run. Jack Elliot wins the big game in “Mr. Baseball” by selflessly giving up the chance to set a Japanese home run record ... and bunting in the winning run. In “Mr. 3000,” Stan Ross selflessly gives up his chance for his 3,000th hit by — you guessed it — bunting in the winning run. You could call it a theme.

I’ll still go with how my favorite baseball movie, “Bull Durham,” handles the big game. The Durham Bulls start out, typically, as misfit losers, but thanks to the wisdom of Crash Davis (Kevin Costner), the arm of Nuke LaLoosh (Tim Robbins), and that magical quality where everyone suddenly starts playing well together, they begin to win. And they seem headed for the big game ... when Nuke is called up and Crash is cut loose and he and Annie (Susan Sarandon) spend a glorious sex-filled weekend together before he heads out to find another team where he can quietly set the record for minor league home runs. Afterwards he and Annie talk about their future and, amid quotes from Walt Whitman and Casey Stengel, the summer, the season and the movie ends.

The big game? There is no big game. And for most teams starting their season this week, not to mention most of us, that’s the most believable ending of all.

Erik Lundegaard sees great things in baseball. It’s our game, the American game. It will repair our losses and be a blessing to us. You can look him up at:

© 2009 msnbc.com.  Reprints


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