Save the cheerleader, save ‘Heroes’?
Sure, ‘Heroes’ is hot, but its much-hyped episode was a let-down
![]() | Won't somebody please save me? Hayden Panettiere plays Clair Bennet, the indestructible cheerleader on NBC's "Heroes." |
Dean Hendler / NBC file |
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Warning: If you haven't seen the Nov. 20 episode of "Heroes," stop reading now.
“Save the cheerleader, save the world,” balderdash! “Heroes” has some explaining to do.
For a week, and at practically every primetime commercial break, NBC taunted viewers with this earnestly whispered cheerleader-saving imperative, promoting “Homecoming,” the Nov. 20 episode of “Heroes,” in which both the audience and the super-powered characters finally learn their destiny. But when the episode was over, neither viewers nor the so-called heroes knew much more than they did in the episode a week before.
Spoiler alert: Yes, super-healing cheerleader Claire Bennet was saved from the mysterious brain-eating serial killer Sylar. But when her savior, power-mimicking male nurse Peter Petrelli asked if he also succeeded in saving the world, even Claire didn’t have an answer. “I’m just a cheerleader,” she responded.
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Never fear, Claire. Buffy the Vampire Slayer was just a cheerleader too when she began her heroic journey. TV loves to repeat itself, so you’ll probably do just as well, if not better. Meanwhile, it’s the audience that has to worry about its brains getting sucked out by the flawed-but-fascinating “Heroes.”
The show is based on a lousy understanding of genetics and adheres ambiguously to the science fiction trope it allegedly follows. And frankly, a lot of the characters in the ensemble cast are really annoying.
Yet “Heroes” totally works. What’s more, it’s successful science fiction on primetime network TV. That almost never happens.
We could be heroes
As any geek worth his or her eight-sided dice knows, science fiction is always a blatant metaphor for something human and real. For example: “Star Trek” (social morality), current “Battlestar Galactica” (current political climate) and “X-Men” (racism/bigotry).
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This tragedy is foretold by Isaac Mendez, a precognitive artist who paints the future when hopped up on smack. As for the rest of the heroes, their newfound abilities leave them mostly just annoyed. This is where the show starts to break down.
In the fantastic world of science-fiction comics, amazing things happen and no one blinks an eye. Of course there’s a Superman! Why shouldn’t Iron Man be able to fly in that heavy metal suit? With its post-9/11 metaphor of the threat of dirty bombs and a devastated New York, “Heroes” is set in a real-world universe, where the fantastic is still amazing. Still, politician Nathan Petrelli feels burdened by his ability to fly fast enough to break the sound barrier. His brother Peter’s incessant whining about the siblings' special destiny pushes Nathan to retort that his superpower is good only for rescuing cats from trees.
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Now, c’mon! Who among us wouldn’t be thrilled to find out we can fly? When a story is set in reality, flubbing that reality is aggravating.
Extended puberty is a popular secondary theme in science fiction/fantasy — that explains regularly sold out Comic-Cons and Star Trek conventions across our great America. New powers not only make you special (just as you always suspected), you can now postpone the drudgery of being an adult.
Not so in “Heroes.” Take Webcam stripper Niki Sanders. She’s got a sociopathic, freakishly strong split personality “Jessica,” with whom she can chat with in the mirror. But she still couldn’t get enough cash to keep her technopath son Micah in genius school. And she can’t stop “Jessica” from taking over their shared body in Monday's episode and using a high-powered rifle to take out her phase-shifting escaped convict husband, D.L. Hawkins.
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