Jack Palance dies at 87
Oscar-winner died of natural causes in his California home
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LOS ANGELES - Jack Palance, the craggy-faced menace in “Shane,” “Sudden Fear” and other films who turned successfully to comedy in his 70s with his Oscar-winning self-parody in “City Slickers,” died Friday.
Palance died of natural causes at his home in Montecito, Calif., surrounded by family, said spokesman Dick Guttman. He was 87.
When Palance accepted his Oscar for best supporting actor he delighted viewers of the 1992 Academy Awards by dropping to the stage and performing one-armed push-ups to demonstrate his physical prowess.
“That’s nothing, really,” he said slyly. “As far as two-handed push-ups, you can do that all night, and it doesn’t make a difference whether she’s there or not.”
That year’s Oscar host, Billy Crystal, turned the moment into a running joke, making increasingly outlandish remarks about Palance’s accomplishments throughout the show.
It was a magic moment that epitomized the actor’s 40 years in films. Always the iconoclast, Palance had scorned most of his movie roles.
“Most of the stuff I do is garbage,” he once told a reporter, adding that most of the directors he worked with were incompetent, too.
“Most of them shouldn’t even be directing traffic,” he said.
Movie audiences, though, were electrified by the actor’s chiseled face, hulking presence and the calm, low voice that made his screen presence all the more intimidating.
Tough guy from early on
His film debut came in 1950, playing a murderer named Blackie in “Panic in the Streets.”
After a war picture, “Halls of Montezuma,” he portrayed the ardent lover who stalks the terrified Joan Crawford in 1952’s “Sudden Fear.” The role earned him his first Academy Award nomination for supporting actor.
The following year brought his second nomination when he portrayed Jack Wilson, the swaggering gunslinger who bullies peace-loving Alan Ladd into a barroom duel in the Western classic “Shane.”
That role cemented Palance’s reputation as Hollywood’s favorite menace, and he went on to appear in such films as “Arrowhead” (as a renegade Apache), “Man in the Attic” (as Jack the Ripper), “Sign of the Pagan” (as Attila the Hun) and “The Silver Chalice” (as a fictional challenger to Jesus).
Other prominent films included “Kiss of Fire,” “The Big Knife,” “I Died a Thousand Deaths,” “Attack!” “The Lonely Man” and “House of Numbers.”
Weary of being typecast, Palance moved with his wife and three young children to Lausanne, Switzerland, at the height of his career.
He spent six years abroad but returned home complaining that his European film roles were “the same kind of roles I left Hollywood because of.”
His career failed to regain momentum upon his return, and his later films included “The Professionals,” “The Desperadoes,” “Monte Walsh,” “Chato’s Land” and “Oklahoma Crude.”
When he appeared as Fidel Castro in 1969’s “Che!” about Latin American revolutionary Ernesto “Che” Guevara, he told a reporter: “At this stage of my career, I don’t formulate reasons why I take roles — the price was right.”
He also appeared frequently on television in the 1960s and ‘70s, winning an Emmy in 1965 for his portrayal of an end-of-the-line boxer in “Requiem for a Heavyweight.”
He and his daughter Holly Palance hosted the oddity show “Ripley’s Believe It or Not” and he starred in the short-lived series “The Greatest Show on Earth” and “Bronk.”
Forty-one years after his auspicious film debut, Palance played against type, to a degree. His “City Slickers” character, Curly, was still a menacing figure to dude ranch visitors Crystal, Daniel Stern and Bruno Kirby, but with a comic twist. And Palance delivered his one-liners with surgeon-like precision.
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