Skip navigation

‘Survivor’ is an easy target for racial outrage

It's one thing to get upset at TV show, but how about real issues?

SURVIVOR TRIBE
Monty Brinton / CBS
Becky Lee, Jenny Guzon-Bae, Yul Kwon, Brad Virata and Anh-Tuan "Cao Boi" comprise the Asian tribe on "Survivor: Cook Islands."
FREE VIDEO
Survivor plays race card
Sept. 13: The new season of "Survivor" splits the tribes by race. Too controversial? MSNBC's Joe Scarborough asks "Survivor" host Jeff Probst.

Scarborough_Country

  Television video
TODAY
  Hoda, Kathie Lee react to ‘SNL’ spoof
Nov. 16: TODAY’s Hoda Kotb and Kathie Lee Gifford react to the weekend’s “Saturday Night Live” spoof on their Everyone Has a Story series.

COMMENTARY
By Amy Alexander
msnbc.com contributor
updated 2:06 p.m. ET Sept. 19, 2006

Looking at American race relations today, it’s hard to quantify the current controversy surrounding the Sept. 14 premiere of  “Survivor: Cook Islands,”  CBS’s stab at juicing up its flagging reality series.

By now, most American television viewers have probably gotten wind of CBS’s plan to air the new season of its formerly-top ranked reality series featuring four tribes of five contestants, each team divided by racial ethnicity:  Asian, black, Latino, and white.

The show kicks off Sept. 14, and in the weeks since ‘Survivor” producer Mark Burnett first revealed the new lineup’s racialization, the prevailing tone of the debate has been one of outrage. CBS is playing “the ‘Amazing Race Card,’ “ thundered Ray Richmond in the Hollywood Reporter on Sept. 5.  

Story continues below ↓
advertisement | your ad here

Lisa Navarrette, vice president of a leading Hispanic civil rights group, National Council of La Raza, told the Philadelphia Inquirer in late August, “I can’t  decide if the [Survivor] producers are completely naïve and clueless, or completely soulless.” And General Motors, a loyal “Survivor” advertiser for years, announced its decision not to sponsor this season’s programs (although the company says the decision is unrelated to the controversy).  

Such anger is understandable — to a point.  But as usual when it comes to public discussions of race relations in America, a thick swamp of hypocrisy lurks beneath the surface language of togetherness and tolerance.

Like the notorious image of Rodney King urging Americans to simply “all get along” even as Los Angeles burned around him, what we have here is an acute case of cultural cognitive dissonance, of social denial writ large and beamed around the globe:  American racial segregation is precisely as old as America. Yet these many centuries since slaves were first auctioned at Jamestown, we’ve learned to speak the language of integration, even as we live, work, and play apart. 

Why hate on Mark Burnett?
Few Americans willingly cop to having racist or discriminatory beliefs, yet evidence of racial divisions abound, from huge gaps in employment, lending, and educational scores, to the occasional extreme expressions such as the dragging death of James Byrd in Texas several years ago.  Television, ever our friendly social mirror, has a mixed record of reflecting this dichotomy. But why hate on Mark Burnett for attempting to dust off the heirloom looking-glass and hold it before us?

FREE VIDEO
Racial divide
Tucker Carlson talks to Reality Blurred editor and MSNBC columnist Andy Dehnart about dividing ‘Survivor’s’ teams by race.

Situation

For decades now, book publishers have sought to explore the enduring “race question” in America, churning out serious nonfiction titles and journalistic examinations.  And in feature films, we’ve been pondering race relations virtually since the beginning:  D.W. Griffith’s “Birth of a Nation” presaged “Gone With the Wind,” which seemed totally antiquated by the time Stanley Kramer’s “Guess Who’s Coming to Dinner” appeared in 1967.  Throughout, audiences and critics all wondered if these fictionalized depictions of American race relations would incite racial animosity — especially in the case of Spike Lee’s brilliant 1989 film “Do the Right Thing” —  or quell it.

On the small screen, race relations have been primarily the province of documentaries, including several PBS series on the Civil Rights movement, and Ken Burns' award-winning series on the Civil War and slavery.  More recently, cable and network television producers also have attempted to deconstruct our long-running racial drama. In FX’s odd series “Black. White” from last season, a white middle-class family went “undercover” as a black family, and a black family donned white makeup to spend time “passing” as whites.

Those broadcasts garnered a good amount of advance press — and woe-is-us handwringing from some TV critics — but only fair ratings.  The familiar narrative through all these creative, reality-based examinations is a perplexed realization that most Americans — whether operating in the realms of politics, schools, the suburbs or political campaigns — accept the fact that racial segregation is still very much a part of our shared reality.


Sponsored links

Resource guide