New sitcoms don't offer much to laugh about
‘Til Death’
Viewers still regretting the unkept promise of a Robert-centered “Everybody Loves Raymond” spin-off have been thrown a bone titled “Til Death” (FOX, Thursdays, 8 p.m. ET).
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The romantic newlyweds moving in next door (Kat Foster and former “American Pie” kid Eddie Kaye Thomas) immediately challenge Eddie’s hardened views on life, the universe and marriage. Eddie gets to deliver long, dark yet comical lectures, and whether he is proven right or wrong drives the plot, which has as many twists as an old mystery novel and nearly as many clichés. (One scene especially is an embarrassing "Seinfeld" rip-off.) Yet “Til Death” works for what it is: amusing, a little peevish but generally reassuring. Like a long-lived marriage. —Wendell Wittler
‘Happy Hour’
You never realize just how unimportant the alcohol consumption was in “Cheers” until you’ve seen “Happy Hour” (FOX, Thursdays, 8:30 p.m. ET). “Forty years ago, every man in this country was half-drunk by sundown. It was a gracious, golden time” says central provocateur Larry (Lex Medlin) as he begins the politically incorrect makeover of new roommate Henry (John Sloan).
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These are characters to laugh at, not relate to. Writers Jackie and Jeff Filgo, veterans of “That ‘70s Show,” and the mostly unknown cast bring the funny, even if they sometimes have to knock it unconscious first. Think of “Happy Hour” as “That ’70s Show” with martinis instead of pot and Dean Martin instead of Cheap Trick. Or “Friends ... From Hell.” Or “How I Met Those People I Keep My Kids Away From.” —W.W.
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