Jay-Z marks 10 years of fame with a tour

Jay-Z won’t rule out cutting short his so-called “retirement.”

“I go back and forth with it” he told AP. “I believe the industry as a whole needs certain events to happen to sustain it and keep it alive. You need (Dr.) Dre albums, you need Eminem albums you need 50 (Cent) albums, you need big artists, you need major events that happen. ... So when I look at it in those terms, I believe that an album is needed.”

But he added that he viewed his role as president of Def Jam as equally important — not only to help change the system, but to give rappers something more to aspire to after their hits wane: “You have a three-year run and then no one ever hears about you. ... But now there’s something attainable.”

Not that Jay-Z ever needed to worry about falling into the “Where Are They Now” category. As his concert proved, Jay-Z has become not only one of hip-hop’s, but pop music’s evergreen performers, still managing to look and sound fresh ten years down the road.

And few rappers would be able to pull off rhyming about hustling crack on the corners of Brooklyn while standing behind a full orchestra, a band and DJ while dressed in cocktail party attire. But somehow, Jay-Z pulled it off.

Longtime sidekick Memphis Bleek was on hand for “Coming of Age,” while Foxy Brown sashayed on stage for the song that made her a star, “Ain’t No ...” The two biggest cameos featured on “Reasonable Doubt” back then weren’t around for the anniversary party: a video montage of the slain Notorious B.I.G played on the video screen as Jay-Z rapped both his and Biggie’s versus on “Brooklyn’s Finest.” And while Mary J. Blige provided the hook on “Can’t Knock The Hustle” back then, her gritty performance was replaced Sunday night by the honey vocals of his boo, Beyonce.

But while “Reasonable Doubt” may be one of Jay-Z’s greatest albums — he called it not only his favorite but “my baby” — it wasn’t his most commercially successful. So as an added bonus and perhaps to placate the fans who arrived late on the Jay-Z Express, he returned after a brief intermission to run through some of his more famous hits —“Big Pimpin,” “What More Can I Say,” “Give It To Me” — at times teasing the crowd with a snippet of a hit, as if he had so many there was barely time to perform them all.

But he also threw in some obscure, gritty Hova songs, if only to prove that the essence of the grimy Brooklyn hustler still remains.

“I never lost sense of who I was — not for a day, not before I had a record deal, and certainly not after,” he told AP. “I believe that’s why I’m sitting right here with you today — it didn’t change it one bit.”

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