TV innovator Aaron Spelling dies at 83

Inspiration from turmoil
At 8, the boy suffered what he termed a nervous breakdown, and he spent a year in bed. He later considered that period the birth of his creative urge. He fell in love with great storytellers, especially O. Henry. Of his early TV series he said, “They are all O. Henry short stories.”

“I still have nightmares about being in a $6,000 house in Dallas, Texas,” he remarked in a 1996 AP interview. “Wall-to-wall people, one bathroom. I was the one to go to the local bakery a block away on Saturday to get the day-old stuff.”

After combat and organizing entertainment in Europe during the war, Spelling returned to Texas and enrolled at Southern Methodist University, where he wrote and directed plays. He continued working in local theatrics after graduating.

Finding no work in New York, Spelling moved to Los Angeles, where he staged plays and acted in more than 40 TV shows and 12 movies. His skinny frame suited him for the role of a ragged beggar in the MGM musical “Kismet.” He worked for three weeks, repeating his one line: “Alms for the love of Allah.”

The “Kismet” experience resulted in two decisions: he abandoned acting for the typewriter; he married a young actress he had been courting, Carolyn Jones. She became well-known, especially as Morticia in “The Addams Family” series. They divorced after 13 years, and she died of cancer in 1983.

Rapid rise to fame
Spelling’s friendship with such actor-producers as Dick Powell, Jack Webb and Alan Ladd led to his rapid rise as a prolific writer and later producer of TV series. In 1960, Powell, head of Four Star Productions, hired him to produce shows for Powell himself, his wife June Allyson and Lloyd Bridges. “Burke’s Law,” with Gene Barry as a millionaire detective, became the first hit series Spelling created.

After Powell’s death, Spelling teamed with Danny Thomas in a production company, scoring a huge success with “The Mod Squad,” about a trio of youthful undercover cops. In 1969, Spelling began an exclusive contract with ABC, helping the network to rise from a low third place to the top of the network ratings. Former ABC programming chief Leonard Goldberg joined him as partner in 1972.

After ABC cancelled “Dynasty” in 1989 and his contract with the network had ended, Spelling found himself without a show on the air for the first time since 1960.

“I was so depressed, I would have quit, but I like TV too much,” Spelling wrote in his memoir. Besides, his company had started issuing stock in 1986, and he had an obligation to his investors. After a year’s respite, he returned with “Beverly Hills 90210,” which helped launch the fledgling Fox Network into the bigtime. “Melrose Place” gave Fox another hit.

Throughout his career, Spelling maintained the same image: the skinny frame, slightly hawkish face. He usually posed with a pipe in his mouth, a custom he adopted early after seeing stars with pipes in fan magazine photos.

Spelling and his second wife, Candy, had two children, Tori (for Victoria), who became a star on the two Fox serials (“Now I’m known as Tori Spelling’s father,” he said in mock lament), and Randy, who appeared in the short-lived “Malibu Shores.”

Spelling set a record of producing more than 3,000 TV shows. Besides the TV movies, he produced 10 theatrical films including “California Split,” “Mr. Mom.” “’night, Mother,” “Loose Cannons” and “Soapdish.”

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