Toby Keith is back with ‘Trash’

NASHVILLE - Toby Keith likes to shock people.

So says his longtime friend — and now co-producer — Lari White.

She thinks shock value may be part of the reason Keith tapped her for his latest project. In fact, White teases that Keith hired her just so he could get on “The Oprah Winfrey Show” to plug his story of the roughneck country star with the chick producer.

Shock value was almost certainly a factor in Keith’s writing and recording “Runnin’ Block” for the new CD. The album-closing ditty is about a guy who sleeps with an overweight woman (delicately referred to as a “jelly roll” in the song) solely so his friend can have a shot with her sister.

But when it came time to name the album, “White Trash With Money,” the first person Keith shocked was his wife.

It seems Keith’s teenage daughter, Krystal, got into a toe-to-toe shouting match with a local “debutante,” as Keith tells the story, in their hometown of Norman, Okla. As the deb’s mother was pulling them apart, she indignantly pronounced Keith’s family “white trash with money.”

Keith’s wife was horrified. Keith was amused.

“I make a living being white trash,” he admits.

So one day he brought home the completed artwork for his new album — sporting the title his wife was certain to hate — and plunked it down on the kitchen counter for her perusal.

She still hasn’t forgiven him. Keith remains amused.

Getting ‘Earthy’
“White Trash With Money,” due April 11, is the first album on Keith’s own label, Show Dog Nashville, following his well-publicized split with DreamWorks Records last year. It also represents a parting from his longtime producer, James Stroud, the one-time head of DreamWorks’ Nashville division who is now co-chairman of Universal Music Group Nashville. (Show Dog has a distribution deal with Universal Music & Video Distribution.)

Keith says his split from Stroud was about evolution, not personal friction. “James made every record ... that established my career,” he says, adding that he’s open to the possibility of working with Stroud again.

White, a songwriter/recording artist who is currently starring on Broadway in the musical “Ring of Fire,” is the wife of Keith’s longtime songwriting partner, Chuck Cannon.

After hearing her self-produced 2005 release, “Green Eyed Soul,” which Keith calls “such an impressive record,” and some production projects White had done with Billy Dean, Cannon and Keith’s daughter, he decided to try out a few demos with her in her Nashville-area studio, the Holler.

Two days and six songs into it the pair was clicking so well that it became obvious White would produce the entire album with Keith.

White — who may or may not be pleased to hear Keith say, “I never one time looked at her as being a woman” — created a sound that she calls “a little more raw, less slick and earthier” than Keith’s previous work.

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“Obviously Toby didn’t need [to do] anything different,” White says. “He was doing just fine with a string of hit records. But if any artist is going to have the kind of longevity they want, there has to be some evolution.”

For the project, White added an unexpected touch by tracking down noted Argentine string arranger George DelBarrio, who has worked with artists including Michael Jackson; Earth, Wind & Fire and Jeffrey Osborne). DelBarrio’s work can be heard on the planned second single, “A Little Too Late,” and two other songs.

White also put horns on some of the tracks, including first single “Get Drunk and Be Somebody.” She even had session drummer Shannon Forrest play cardboard boxes on a few others.

She also encouraged Keith to stretch out a bit as a singer. “Toby typically comes in and sings the song three times,” she says. But on this project there were songs where White urged Keith to try additional takes with different melodies. “He was really into it. I think he trusted me because I am a singer,” White says.

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