Is a kiss just a kiss?
The wow kiss
Let’s face it. Most of the time we know before the movie starts that this actor and that actress are going to kiss. It’s what people do in the movies. Most of the time, too, their characters know it, and desire it, and the kiss is just a culmination of something that’s been building and allows that something to continue on its trajectory. The kiss furthers trajectories but it doesn’t change trajectories.
I would argue that the best kisses in the movies are those that change trajectories. The characters are stunned — visually or verbally. They had seen their life going in this direction, and then they get the kiss and see it going in that direction. A kiss. Boom. Life changes.
In “The Philadelphia Story,” Tracy Lord (Katherine Hepburn) is about to marry that ass George Kittredge; but on the night before her wedding, she’s drunk and flirting with reporter Mike Conner (James Stewart), teasing him by calling him “Professor.” He shuts her up the best way he knows how. One kiss. “Golly,” she says. Two kisses. “Golly Moses,” she says. The next morning the wedding is called off. Oddly, she winds up marrying another man. Not so oddly, that man is Cary Grant.
Something similar occurs in “The Wedding Singer.” Julia (Drew Barrymore) is about to marry that ass Glenn, when, at the prompting of her cousin, she and wedding singer Robbie Hart (Adam Sandler) practice the wedding kiss. Boom. They back away dazed. Life changes.
Finally there’s “The Year of Living Dangerously.” Guy (Mel Gibson) is a reporter in 1965 Jakarta and he’s begun a flirtatious friendship with diplomat Jill Bryant (Sigourney Weaver), who is scheduled to return to Britain. At a swanky party, he takes her away from boring old men and out onto the veranda where he plants one and then asks her to leave with him. “I can’t leave with you now,” she says amused. “Everyone in Jakarta...” He plants another. Suddenly her voice gets serious and throaty. “I’m leaving in less than a week,” she says. It looks like he’ll go for a third, but he backs off and leaves the party. Before he can start his car, she gets in the passenger’s seat.
Now that’s good kissing.
By the way: Some people may consider this information incidental, but, as a writer, I feel it’s part of the public’s right to know — particularly the female public’s right to know. Two of the three “wow” kissers I just mentioned? They share the same occupation. They’re writers.
Happy Valentine’s Day.
Erik Lundegaard would like to thank Patricia, Brenda, Kristin and every woman who has ever been kind enough to kiss his sorry mug. He can be reached at:
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