Long gloves, and tough girls, on the runway

Max Azria Collection: This line, formerly known as BCBG Max Azria, is undergoing a transformation as the company tries to elevate the image of the runway clothes beyond cute, breezy dresses and flattering pants.

Azria concentrated on knits — which made great casual cashmere coats and borderline bizarre bloomers. He wasn’t the only designer to send bloomers down the runway. In fact, the crowd at the Bryant Park tents probably have seen more bloomers and knickers over the first four days of Fashion Week than they’ve seen in the last four years.

Azria also offered several pieces that had origami details, which were similar enough to hit on the big-bow trend but different enough to stand out. But there’s something to be said for simplicity, and the cashmere turtleneck dresses worn with either tweed or cashmere coats were the most sophisticated outfits in the collection.

Betsey Johnson: The sometimes risque, but always playful Johnson was on her best behavior with this collection.

She offered cute cocktail dresses that surely will be on the high school dance circuit; skirt suits, with miniskirts, of course; and a taffeta trench coat that could go just about anywhere and be worn by just about any woman.

The trench coat, paired with a gold blouse with ruffles around the neck and a black flounce skirt, was one of the show’s best outfits. A latte-colored crocheted dress and a boucle suit with candy-colored dots to break up the black background were also standouts.

The hot pants and bloomers that have been far too prevalent at Fashion Week were also on Johnson’s runway, but since she’s Betsey Johnson, they belonged.

Jill Stuart: Stuart dresses a young crowd, and the Goth look she offered should be right up their alley. Models wore long, black Matrixlike dresses, the best being a satin version with a V neck and high waist.

The runway wasn’t all somber, though. A winter white nubby coat and a silver lame all-over pleated gown were winners. Stuart then switched modes and send out a delicate chiffon dress with flutter sleeves in an abstract blue floral print.

Oscar de la Renta: De la Renta’s fall collection confirms some of the emerging trends. His runway had metallic fabrics, three-quarter sleeve tops and jackets worn with long gloves, belted jackets, sweater coats and both skinny cigarette pants and wide-leg cuffed ones. Somehow, though, everything looks a little different when done at de la Renta’s direction. They’re classier and more luxurious.

De la Renta traditionally does great coats and embroideries. This time he combined those skills into an outstanding brown embroidered cashmere coat with pony skin that was paired with a green leather embroidered skirt.

But de la Renta’s other specialty is eveningwear, and while a black sheer tulle dress with embroidered polka dots was pretty, most of his gowns and cocktail dresses with defined waists and voluminous skirts looked stiff and of another time and place. A better black-tie look was a black cashmere jacket with embroidered rosettes, a black sequined T-shirt and skinny black flannel pants.

Carolina Herrera: Herrera said she was inspired by the late ’50s, but many of the outfits were reminiscent of the sportswear of the ’70s, when American ready-to-wear first put its stamp on the world.

She sent several suits down the runway. The skirt suits, in a rust plaid, were fitted and to the knee; the pants had wide cuffed legs.

A new look for fall is fur that is sheared so close it looks like soft velvet. Herrera used that technique for the sleeves on a black and brown wool dress that was otherwise simple — and very sophisticated.

Herrera matched coats with cocktail dresses to create a complete outfit, and the chocolate broadtail coat with a turquoise swirl print lining with a pleated strapless dress in the same fabric was a standout.