Shelley Winters dies at 85

updated 7:51 p.m. ET Jan. 14, 2006

BEVERLY HILLS, Calif. - Shelley Winters, the forceful, outspoken star who graduated from blond bombshell parts to dramas, winning Academy Awards as supporting actress in "The Diary of Anne Frank" and "A Patch of Blue," has died. She was 85.

Winters died of heart failure early Saturday at The Rehabilitation Centre of Beverly Hills, her publicist Dale Olson said. She was hospitalized in October after suffering a heart attack.

The actress sustained her long career by repeatedly reinventing herself. Starting as a nightclub chorus girl, she advanced to supporting roles in New York plays, then became famous as a Hollywood sexpot.

Serious roles
A devotee of the Actors Studio, she switched to serious roles as she matured, and she won her Oscars portraying mothers. Still working well into her 70s, she had a recurring role as Roseanne's grandmother on the 1990s TV show "Roseanne."

In 1959's "The Diary of Anne Frank," she was Petronella Van Daan, mother of Peter Van Daan and one of eight real-life Jewish refugees in World War II Holland who hid for more than a year in cramped quarters until they were betrayed and sent to Nazi death camps. The socially conscious Winters donated her Oscar statuette to the Anne Frank House in Amsterdam.

In 1965's "Patch of Blue," she portrayed a hateful, foul-mouthed mother who tries to keep her blind daughter, who is white, apart from the kind black man who has befriended her.

Slide show   Remembering Shelley Winters Oscar winning actress Shelley Winters dies at age 85.

Ever vocal on social and political matters, Winters was a favored guest on television talk shows, and she demonstrated her frankness in two autobiographies: "Shelley, Also Known as Shirley" (1980) and "Shelley II: The Middle of My Century" (1989).

She wrote openly in them of her romances with Burt Lancaster, William Holden, Marlon Brando, Errol Flynn, Clark Gable and other leading men.

"I've had it all," she exulted after her first book became a best seller. "I'm excited about the literary aspects of my career. My concentration is there now."

Typically Winters, she also had a complaint about her literary fame: While reviewers treated her book as a serious human document, she said, talk show hosts Phil Donohue and Johnny Carson "only want to know about my love affairs."

Early career
Winters, whose given name was Shirley Schrift, was appearing in the Broadway hit "Rosalinda" when Columbia Pictures boss Harry Cohn offered her a screen test. A Columbia contact and a new name -- Shelley Winters -- followed, but all the good roles at the studio were going to Jean Arthur in those days.

NBC VIDEO Oscar-winner Shelly Winters dies Jan. 14: Actress Shelley Winters had the unique ability to re-invent herself. The Oscar-winner died Saturday of heart failure at 85. NBC's Mike Taibbi reports. Nightly News

Her early films included such light fare as "Knickerbocker Holiday," "Sailor's Holiday," "Cover Girl," "Tonight and Every Night" and "Red River."

Her contract over, Winters returned to New York, replacing Celeste Holm as Ado Annie in "Oklahoma!"

She would soon be called back and signed to a seven-year contract at Universal. She vamped her way through a number of potboilers for the studio, including "South Sea Sinner," with Liberace as her dance-hall pianist, and "Frenchie," as wild saloon owner Frenchie Fontaine, out to avenge her father's murder.

The only hint of her future as an actress came in 1948's "A Double Life" as a trashy waitress strangled by a Shakespearian actor, Ronald Colman. The role won Colman an Oscar.

"A Place in the Sun" in 1951 brought her first Oscar nomination and established her as a serious actress. She desperately sought the role of the pregnant factory girl drowned by Montgomery Clift so he could marry Elizabeth Taylor. The director, George Stevens, rejected her at first for being too sexy.

"So I scrubbed off all my makeup, pulled my hair back and sat next to him at the Hollywood Athletic Club without his even recognizing me because I looked so plain. That got me the part," she recalled in a 1962 interview.

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