Comedian Richard Pryor dies at 65

Born in 1940 in Peoria, Ill., Pryor grew up in his grandmother’s brothel. His first professional performance came at age 7, when he played drums at a night club.

Following high school and two years of Army service, he launched his performing career, honing his comedy in bars throughout the United States. By the mid-’60s, he was appearing in Las Vegas clubs and on the television shows of Ed Sullivan, Merv Griffin and Johnny Carson.

His first film role came with a small part in 1967’s “The Busy Body.” He made his starring debut as Diana Ross’ piano man in 1972’s “Lady Sings the Blues.”

Pryor also wrote scripts for the television series “Sanford and Son,” “The Flip Wilson Show” and two specials for Lily Tomlin. He collaborated with Mel Brooks on the script for the movie “Blazing Saddles.”

Later in his career, Pryor used his films as therapy. “Jo Jo Dancer, Your Life is Calling,” was an autobiographical account of a popular comedian re-examining his life while lying delirious in a hospital burn ward. Pryor directed, co-wrote, co-produced and starred in the film.

“I’m glad I did ‘Jo Jo,”’ Pryor once said. “It helped me get rid of a lot of stuff.”

Troubled life
Pryor also had legal problems over the years. In 1974, he was sentenced to three years’ probation for failing to file federal income tax returns. In 1978, he allegedly fired shots and rammed his car into a vehicle occupied by two of his wife’s friends.

Even in poor health, his comedy was vital. At a 1992 performance, he asked the room, “Is there a doctor in the audience?” All he got was nervous laughter. “No, I’m serious. I want to know if there’s a doctor here.”

A hand finally went up.

“Doctor,” Pryor said, “I need to know one thing. What the (blank) is MS?”

Pryor was married six times. His children include sons Richard and Steven, and daughters Elizabeth, Rain and Renee.

Daughter Rain became an actress. In an interview in 2005, she told the Philadelphia Inquirer that her father always “put his life right out there for you to look at. I took that approach because I saw how well audiences respond to it. I try to make you laugh at life.”

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